Berys Gaut Bibliography For Websites

Aarseth, Espen, Cybertext: Perspectives on Ergodic Literature, Baltimore, Md.: Johns Hopkins University Press, 1997.

Aarseth, Espen‘Quest Games as Post-Narrative Discourse’ in Ryan, Marie-Laure (ed.), Narrative Across Media: The Languages of Storytelling, Lincoln: University of Nebraska Press, 2004.

Abell, Catherine, ‘Pictorial Realism’, Australasian Journal of Philosophy, 85 (2007): 1–17.

Allen, Richard, Projecting Illusion: Film Spectatorship and the Impression of Reality, Cambridge University Press, 1995.

Allen, Richard and Smith, Murray (eds.), Film Theory and Philosophy, Oxford: Clarendon Press, 1997.

Aristotle, , On the Soul, in Barnes, Jonathan (ed.), The Complete Works of Aristotle: The Revised Oxford Translation, vol. I, Princeton University Press, 1984.

Arnheim, Rudolf, Film as Art, Berkeley: University of California Press, 1957.

Ascott, Roy, ‘Is There Love in the Telematic Embrace?’ in Ascott, Roy, Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness, ed. Shanken, Edward A., Berkeley: University of California Press, 2003.

Atkins, Barry, More than a Game: The Computer Game as Fictional Form, Manchester University Press, 2003.

Badham, John and Modderno, Craig, I'll be in My Trailer: The Creative Wars between Directors and Actors, Studio City, Calif.: Michael Wiese Productions, 2006.

Balázs, Béla, Theory of the Film: Character and Growth of a New Art, trans. Bone, Edith, New York: Dover Publications, 1970.

Baudry, Jean-Louis, ‘Ideological Effects of the Basic Cinematographic Apparatus’ in Braudy, LeoCohen, and Marshall (eds.), Film Theory and Criticism, 6th edn, New York: Oxford University Press, 2004.

Bazin, André, What is Cinema?, vol. I, trans. Gray, H., Berkeley: University of California Press, 1967.

Bazin, André ‘The Evolution of the Language of Cinema’ in his What is Cinema?, vol. I, trans. Gray, H., Berkeley: University of California Press, 1967.

Bazin, André ‘The Ontology of the Photographic Image’ in his What is Cinema?, vol. I, trans. Gray, H., Berkeley: University of California Press, 1967.

Beardsley, Monroe, Aesthetics: Problems in the Philosophy of Criticism, 2nd edn, Indianapolis, Ind.: Hackett, 1981.

Binkley, Timothy, ‘Computer Art’ in Kelly, Michael (ed.), Encyclopedia of Aesthetics, New York: Oxford University Press, 1998.

Bloom, Harold, The Anxiety of Influence: A Theory of Poetry, Oxford University Press, 1973.

Bolter, Jay David and Gromala, Diane, Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency, Cambridge, Mass.: MIT Press, 2003.

Booth, Wayne, The Rhetoric of Fiction, 2nd edn, University of Chicago Press, 1983.

Bordwell, David, Narration in the Fiction Film, Madison: University of Wisconsin Press, 1985.

Bordwell, David ‘Historical Poetics of Cinema’ in Palmer, R. Barton (ed.), The Cinematic Text: Methods and Approaches, New York: AMS Press, 1989.

Bordwell, DavidMaking Meaning: Inference and Rhetoric in the Interpretation of Cinema, Cambridge, Mass.: Harvard University Press, 1989.

Bordwell, David and Carroll, Noël (eds.), Post-Theory: Reconstructing Film Studies, Madison: University of Wisconsin Press, 1996.

Bordwell, David, Staiger, Janet and Thompson, Kristin, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, London: Routledge, 1985.

Bordwell, David and Thompson, Kristin, Film Art: An Introduction, 6th edn, New York: McGraw-Hill, 2001.

Bratman, Michael, ‘Shared Cooperative Activity’ in his Faces of Intention: Selected Essays on Intention and Agency, Cambridge University Press, 1999.

Braudy, Leo and Cohen, Marshall (eds.), Film Theory and Criticism: Introductory Readings, 6th edn, New York: Oxford University Press, 2004.

Buchler, Justus (ed.), Philosophical Writings of Peirce, New York: Dover Publications, 1955.

Bullough, Edward, ‘Psychical Distance’ in Neill, AlexRidley, and Aaron (eds.), The Philosophy of Art: Readings Ancient and Modern, New York: McGraw-Hill, 1995.

Carroll, Noël, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory, New York: Columbia University Press, 1988.

Carroll, NoëlPhilosophical Problems of Classical Film Theory, Princeton University Press, 1988.

Carroll, NoëlThe Philosophy of Horror or Paradoxes of the Heart, London: Routledge, 1990.

Carroll, Noël‘Towards an Ontology of the Moving Image’ in Cynthia Freeland, A. and Wartenberg, Thomas E. (eds.), Philosophy and Film, London: Routledge, 1995.

Carroll, Noël ‘From Real to Reel: Entangled in Nonfiction Film’ in his Theorizing the Moving Image, Cambridge University Press, 1996.

Carroll, Noël ‘Medium Specificity Arguments and the Self-Consciously Invented Arts: Film, Video, and Photography’ in his Theorizing the Moving Image, Cambridge University Press, 1996.

Carroll, Noël ‘The Power of Movies’ in his Theorizing the Moving Image, Cambridge University Press, 1996.

Carroll, NoëlTheorizing the Moving Image, Cambridge University Press, 1996.

Carroll, Noël ‘Forget the Medium!’ in his Engaging the Moving Image, New Haven, Conn.: Yale University Press, 2003.

Carroll, NoëlComedy Incarnate: Buster Keaton, Physical Comedy and Bodily Coping, Malden, Mass.: Blackwell, 2007.

Casebier, Allan, Film and Phenomenology, Cambridge University Press, 1991.

Cavell, Stanley, Pursuits of Happiness: The Hollywood Comedy of Remarriage, Cambridge, Mass.: Harvard University Press, 1976.

Cavell, Stanley, The World Viewed: Reflections on the Ontology of Film, enlarged edition, Cambridge, Mass.: Harvard University Press, 1979.

Chatman, Seymour, Story and Discourse: Narrative Structure in Fiction and Film, Ithaca, NY: Cornell University Press, 1978.

Chatman, Seymour, Coming to Terms: The Rhetoric of Narrative in Fiction and Film, Ithaca, NY: Cornell University Press, 1990.

Chatman, Seymour, ‘What Novels Can Do that Films Can't (and Vice Versa)’ in Braudy, Leo and Cohen, Marshall (eds.), Film Theory and Criticism: Introductory Readings, 6th edn, New York: Oxford University Press, 2004.

Ethics and Practical Reason (co-edited with Garrett Cullity) Oxford University Press, 1997.

The Routledge Companion to Aesthetics (co-edited with Dominic Lopes) Routledge, (forthcoming, October 2000).

Work in Progress: Art, Emotion and Ethics

Moral and Aesthetic Evaluation Princeton University, 1991: 275 pp.

1993

"Interpreting the Arts: The Patchwork Theory", Journal of Aesthetics and Art Criticism 51:4 (Fall): 597-609.

"Moral Pluralism", Philosophical Papers 22:1: 17-40.

"The Paradox of Horror", British Journal of Aesthetics 33:4 (October): 333-345.

1994

"On Cinema and Perversion", Film and Philosophy 1: 3-17.

1995

"The Enjoyment Theory of Horror: A Response to Carroll", British Journal of Aesthetics 35:3 (July): 284-9.

"Making Sense of Films: Neoformalism and Its Limits", Forum For Modern Language Studies 31:1 (January): 8-23.

"Rawls and the Claims of Liberal Legitimacy", Philosophical Papers 24:1: 1-22.

1996

"Ethics and Practical Reason: A Conference Report" (with Garrett Cullity), Journal of Value Inquiry 30: 573-7.

1997

"Analytic Philosophy of Film: History, Issues, Prospects", Philosophical Books 38:3 (July), 145-56.

"Film Authorship and Collaboration", in Film Theory and Philosophy (eds. Richard Allen and Murray Smith) Oxford University Press, 1997.

"Introduction" to Ethics and Practical Reason eds. Cullity and Gaut, (with Garrett Cullity).

"Metaphor and the Understanding of Art", Proceedings of the Aristotelian Society: 223-41.

"The Structure of Practical Reason" in Ethics and Practical Reason (eds. Cullity and Gaut).

1998

"The Ethical Criticism of Art", in Aesthetics and Ethics: Essays at the Intersection, ed. Jerrold Levinson, Cambridge University Press, 1998, 182-203.

"Imagination, Interpretation, and Film", Philosophical Studies 89:2-3 (March): 331-41.

"Just Joking: The Ethics and Aesthetics of Humour", Philosophy and Literature 22:1.

1999

"The Derivation without the Gap: Rethinking Groundwork I", co-author with Sanuel Kerstein, Kantian Review 3, 18-40.

"Identification and Emotion in Narrative Film, in Carl Plantinga & Greg M.Smith (eds), Passionate Views: Film Cognition, and Emotion (The Johns Hopkins University Press, 1999), 200-216.

"Rag Bags, Disputes and Moral Pluralism", Utilitas 11, 37-8.

Forthcoming

"Art and Ethics", The Routledge Companion to Aesthetics.

"'Art' as a Cluster Concept", in Theories of Art, ed. No�l Carroll, Madison: University of Wisconsin Press, 25-44.

"The Intentional Fallacy", "Fiction and Non-Fiction", "Deception" and "Consequentialism", entries in the Cambridge Dictionary of Philosophy, 2nd ed., Robert Audi (ed) (Cambridge University Press).

"Justifying Moral Pluralism", in Re-Evaluating Ethical Intuitionism, ed. Philip Stratton-Lake, Oxford University Press.

In Progress

"Art and Knowledge", in Oxford Handbook to Aesthetics, ed. Jerrold Levinson, Oxford University Press.

"Film", in Oxford Handbook to Aesthetics, ed. Jerrold Levinson, Oxford University Press.

"Philosophy of the Movies", in Blackwell Guide to Aesthetics, ed. Peter Kivy, Blackwell.

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